What's In The Advanced Course

 

700 pages of illustrated text in 19 lessons and 7 updates. For a detailed list of the contents, see below.

A color booklet with 80 photos to illustrate various make-ups and techniques.

A fat packet of black & white reference photos for character sculpture.

A DVD of Dick Smith’s application of his Abraham Lincoln makeup.

A year and a half of professional instruction and help via e-mail.

click for larger image

THE LESSONS

  1. INTRODUCTION – How the Course works, getting into make-up, unions, non-union work, addresses of make-up labs, photographing your work, handling yourself in the office and on the set, making deals and getting paid, reference books, reprints from The Center For Occupational Hazards on harmful materials, ventilation and safety.
     

  2. LIFE MASKS & BODY MOLDS –Molding faces, heads, limbs and bodies with various materials and techniques such as with eyes and mouth open. Detailed instructions and diagrams for procedures and sources for material.
     

  3. GYPSUM MATERIALS & MOLD MAKING – Types of gypsum (plaster), mixing and casting techniques, separating agents and reinforcing materials, making positives and negatives for foam latex molds, mold keys, undercuts, three-piece molds, transferring plastilene modeling from life mask to positive molds.
     

  4. SCULPTURE TECHNIQUES & MATERIALS – Clays, stands, equipment, tools, texture stamps. Facial proportions, sculpture principles, techniques, sealing models, texturing. Clay “press-outs” & “pour-ins”. Anatomy and sculpture books.
     

  5. LATEX & FOAM LATEX, PART 1 – Latex appliances. Foam latex chemistry, terms, mixing procedures, records, equipment. Loading molds and de-molding. Brands of foam. Separating agents, Ovens.
     

  6. FOAM LATEX, PART 2 – Filling various latex molds, injection guns. Foam problems and repair. Painting materials & techniques for foam, PAX paint, Special Foam molds for overlapping appliances for body suits, etc. New, more durable mold materials, superior to Ultracal 30.
     

  7. MOLDING AND CASTING MATERIALS – Making flexible molds, mold materials, companies, urethanes, silicones. Rigid and flexible casing materials including waxes, ELVAX, epoxies, methyl and ethyl methacrylates, hot melts, gelatin, polyfoams.
     

  8. DENTURES, EYEBALLS, LENSES – Making dentures, bridges and “plumpers”. Simple and professional ways of making false eyes. Ordering and handling corneal and scleral contacts, hard and soft. Sources for custom colored contacts.
     

  9. BALD CAPS – Making and application of latex, plastic, “Cannom” and foam latex bald caps. Molds and forms. Coloring, applying hair or hairpieces to caps.
     

  10. HAIR AND HAIR PIECES –Designing and ordering wigs and hairpieces. Types of hair, preparing hair, crimping, ventilating, dressing, cutting, curling, curling irons. Laying hair, making beards on a form. Applying wigs and hairpieces. Body hair. Coloring hair.
     

  11. AGING & CHARACTER MAKE-UP (WITHOUT APPLIANCES) – Designing character make-ups, age charts, graying hair. Color principles, mixing colors, Aging spots. Making an actor younger, facial lifts. Aging with old age stipple, formulas, application steps.
     

  12. APPLIANCE MAKE-UP – Appliance application steps, adhesives, gluing techniques, pre-painting appliances. Description of Lincoln make-up application as seen on the videotape. Various coloring materials for appliance make-ups including R.M.G.P. and PAX. Make-up removal. Body suits.
     

  13. MAKE-UP EFFECTS – Blood, methocellulose pastes, wounds, scabs, burns, bruises, diseases, scars, decaying flesh, sutures, sweat, tears, frost, tattoos, statue makeup, facial distortions, cutting flesh “on camera”.
     

  14. SPECIAL EFFECTS MAKE-UP – Camera tricks, making plastic appliances for “on camera” bullet hits, wounds, throbbing veins, blood blisters. Blood pumps and equipment. Making and running bladder effects. Cutting off heads and cutting throats. Explosive effects. Chemical effects. Crumbling effects.
     

  15. DUMMY HEADS & BODIES – Casting heads of latex, polyfoam, wax, ELVAX, ethyl methacrylate, gelatin. Making dummies using various joints and materials.
     

  16. MECHANICAL MASKS & PUPPETS, PART 1 – Articulated mask, Rick Baker ape mask, types of cables and housings, cable attachments and clamps, cable control mechanisms, direction changers. Soldering and tapping techniques.
     

  17. MECHANICAL MASKS & PUPPETS, PART 2 – Puppets operated by hand or person inside. Making various eyeball mechanisms. Joystick mechanisms. Mechanisms for jaw movement, neck or waist movement. Cable junction boxes, “Change-O-Heads”, Rod puppets.
     

  18. MECHANICAL MASKS & PUPPETS, PART 3 – Mechanical hands, hand controls, arm extensions, arm mechanisms, counter-balancing. Tails, tongues, tentacles. Shop techniques.
     

  19. R/C, FLUID POWER & PROGRAMMING – Radio control, transmitters, servos, receivers, batteries, linkages, installation & use. R/C controlled eyeballs. Pneumatic control systems and equipment, types of pneumatic cylinders and valves. Hydraulic control systems & components. Programming controls. GILDERFLUKE Animation Control System.

INDEX & DIRECTORY – Table of Contents of each lesson. Item index: lists every subject and material in the lessons, tells what page it is on and what companies sell it. Sources list, USA lists every company referred to, its address, phone, main product, order requirements. Foreign Sources: for materials in England, France, Australia. U.S. Make-up Effect Shops (separate list).

THE UPDATES

UPDATE 1 - 4 PG.
Molding open eyes without scleral lenses (Carl Fullerton)
Removing core from a foam latex glove mold (Rick Baker)
DEGUSSA TS-100 matting agent
Fire hazards
Sculpture stand construction

UPDATE 2 -14 PG.
Shop safety and respirators
Droopy eye lifts
New adhesives
Polyfoam injection system for large molds (Stan Winston)
Tips on foam latex
New materials and sources
Silk gauze uses and sources
Copyrighting designs, slides, and writing

UPDATE 3 -22 PG.
Modern gelatin technique (Kevin Haney)
Mold locking registration buttons
Life molding a body for an ape suit (Rick Baker)
Dressing very short hair
ELVAX, excellent for "wax" heads
Enlarging heads
Stippling tools
Texture stamps made of cap material (Dan Platt)
Seamless bald head mold, diagrammed by Dan Platt
New materials and sources
Vacuum chambers

UPDATE 4 -62 PG.
The career of George Bau - pioneer lab man
Gelatin appliance update (Frank Rogers)
Tattoo transfer to skin
GP-20 Cosmetic Fluid
Liver spot stamps
Quaid's make-up for "Everybody's All American"
How to make formulas for PAX colors
Update of old age stipple formulas
Sculpture techniques for appliances
Retarding the setting of alginate
Improved Utracal 30 molds
Epoxy molds for foam latex
Foam latex notes
Making temporary hair pieces
Shaved fur technique (Rick Baker)
Gelatin bladder effects
New materials, tools and supply companies
Health and safety update

UPDATE 5 -15 PG.
Epoxcal-faced Ultracal molds
Repair of defective life mask
new old-age stipple formulas
New hair graying formulas
Instant 3-D face build-up material
Fluting machines for crimping hair
Experience on "Godfather III"

UPDATE 6 -18 PG.
U.S. Gypsum Hydrocal FGR (fiber glass replacement)
Stan Winston's new mold technique for dinosaurs
Silicones for making life masks
Tips on foam latex problems
New sculpture tool makes wrinkles fast
Exploding head material
New items and sources
Reference books
Silicone basics
First info on making silicone gel-filled appliances (GFA's)
"Flabbercast" - a urethane gel

UPDATE 7 -60 PG.
29 pages of silicone technology, silicone GFA's, molding, etc.
New high-volume foam latex
Adhesives update
Gelatin review
Sculpture tips
CGI (computer generated imaging)
Soft contact lenses, sources
Artificial eyeballs, sources
Innovative denture device
Useful reference books
Sources of materials, chemicals, equipment, etc.
New anti-warp mold making technology

The list above includes about half of the items in each Update.
 

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